Kabinett
Schererstraße / Berlin - Wedding
A live-in studio, laboratory and presentation space with a backroom and a great garden.
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A live-in studio, laboratory and presentation space with a backroom and a great garden.
* RESIDENCY > FACTS & IMAGES
* RESIDENCY > SCHEDULE
> MAP
< GO BACK
OPEN STUDIO
Friday 22.02. / 18h
@ Kabinett / Schererstrasse 9 / Berlin-Wedding
Friday 22.02. / 18h
@ Kabinett / Schererstrasse 9 / Berlin-Wedding
Rita Koszorús (SK/HU) is at the Institut for the second time. She is currently collecting modernistic forms from her surrounding on which she subsequently reflects via paintings. The abstract painter primarily works whit themes like identity, identity and character of painting as a media in contemporary art and the flow of time.
www.ritakoszorus.com
Jewellery designer Ján Jánoš (SK) is working on his long-term project called Hora (Mountain). It is a fictive space he maps, draws and measures. This time he is searching for and conquers Hora (Montain) in the urban space of Berlin.
www.atelierhora.com
www.ritakoszorus.com
Jewellery designer Ján Jánoš (SK) is working on his long-term project called Hora (Mountain). It is a fictive space he maps, draws and measures. This time he is searching for and conquers Hora (Montain) in the urban space of Berlin.
www.atelierhora.com
OPEN STUDIO
August 24 / 18h
@ Kabinett / Schererstrasse 9 / Berlin-Wedding
August 24 / 18h
@ Kabinett / Schererstrasse 9 / Berlin-Wedding
This could be a causal response (a statement) on the perpetual questions: what is art?, who is an artist?, or even who is a critic?, or who isn’t? (Duchamp), or to paraphrase Sacha Baron Cohen “who is art?”
And then comes art, a discipline no one actually needs, but we still make it. Freed from the needs of others and unburdened with some “big meaning”, but still interesting or provoking, at least for somebody.
Darija S. Radakovic
http://radakovic.darija.ca
And then comes art, a discipline no one actually needs, but we still make it. Freed from the needs of others and unburdened with some “big meaning”, but still interesting or provoking, at least for somebody.
Darija S. Radakovic
http://radakovic.darija.ca
Juan Pablo Nazar
2018
@ Kabinett / Schererstr. 9 / Berlin-Wedding
2018
@ Kabinett / Schererstr. 9 / Berlin-Wedding
Amalia Valdes
2018
@ Kabinett / Schererstr. 9 / Berlin-Wedding
2018
@ Kabinett / Schererstr. 9 / Berlin-Wedding
OPEN STUDIO
October 29 2017 / 17h
@ Zentrale + Kanzlei + Kabinett / Schererstr. 9+11 / Berlin-Wedding
October 29 2017 / 17h
@ Zentrale + Kanzlei + Kabinett / Schererstr. 9+11 / Berlin-Wedding
Nadja Geer, Berlin, made her MA at the John-F.-Kennedy-Institut für Nordamerikastudien (JFKI) on hipsters and hackers and got a PhD from the Humboldt University for her book “Sophistication – Between a Mode of Thought and a Pose“ (https://frieze.com/article/culture-club-de). She wrote as a critic for “Die Zeit“, “Frankfurter Allgemeine“, “Spex“ and “taz“ (among others) before she worked as a publisher and author of an academic pop magazine called “Pop. Kultur and Kritik“ (Pop.Culture and Criticism) Nadja Geer now works as an artist.
“Happy Valley“ will be one of her first art works shown in public. It deals with today’s television series culture and by that with selfing and posing, style and authenticity, humor and severity and most of all with being and acting. Geer is interested in the essence of forms of representation from a feminist theory perspective. The work also politicize the congruence between the aesthetic form of resistance and its reality effect. Metaphorical speaking: Will the revolution still be televised? What is the relationship between aesthetics and politics nowadays, between pop and politics? This question is especially relevant as a new form of strictly political resistance came up recently that has nothing to do with culture anymore. A cool hero still appeals to us though and that has anything do to with gender. So who fights nowadays and which fight is it? Who is the victim and who the offender? Happiness is gone and the lamb does no longer lives peacefully in the valley. If “Happy Valley” is landscape painting then it is not its idyllic variation.
“Happy Valley“ will be one of her first art works shown in public. It deals with today’s television series culture and by that with selfing and posing, style and authenticity, humor and severity and most of all with being and acting. Geer is interested in the essence of forms of representation from a feminist theory perspective. The work also politicize the congruence between the aesthetic form of resistance and its reality effect. Metaphorical speaking: Will the revolution still be televised? What is the relationship between aesthetics and politics nowadays, between pop and politics? This question is especially relevant as a new form of strictly political resistance came up recently that has nothing to do with culture anymore. A cool hero still appeals to us though and that has anything do to with gender. So who fights nowadays and which fight is it? Who is the victim and who the offender? Happiness is gone and the lamb does no longer lives peacefully in the valley. If “Happy Valley” is landscape painting then it is not its idyllic variation.