Kanzlei
Schererstraße / Berlin - Wedding
A live-in studio, laboratory and presentation space with a shop window, a backroom and a great garden.
* RESIDENCY > FACTS & IMAGES
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A live-in studio, laboratory and presentation space with a shop window, a backroom and a great garden.
* RESIDENCY > FACTS & IMAGES
* RESIDENCY > SCHEDULE
> MAP
< GO BACK
KIM WON / OPEN STUDIO
Friday, November 23 2018 / 18-22h
@ Kanzlei / Schererstr. 9 / Berlin-Wedding
Friday, November 23 2018 / 18-22h
@ Kanzlei / Schererstr. 9 / Berlin-Wedding
IF YOU ARE SEEING THIS ...
June 29th 2018 / 19h
@ Kanzlei / Schererstr. 9 / Berlin-Wedding
June 29th 2018 / 19h
@ Kanzlei / Schererstr. 9 / Berlin-Wedding
I guess I have to accept the fact that what I've been doing, what I have really been doing all these years is objectifying every person I know.
“If you are seeing this, Hey! Hi!” is attempt to blur the lines between truth and fiction.
These works are an ongoing, and conclusion-less investigation into the rhythms of situational leisure. I mean, look at how much fun were having! This project is presented as evidence of time being killed, or rather, the appropriation of time and underlines the feeling that nothing has any consequences.
Brittney Hollinger (b. 1988) is a multi-disciplinary artist working mainly in Photography and text. She received her BFA from Ringling College of Art and Design in Sarasota, Florida (USA) in 2011. She has exhibited both internationally and nationally in galleries and project spaces in Berlin and New York City. Currently, she is an artist in residence at the Institut Für Alles Mögliche and in 2012 participated in Picture Berlin residency, both in Berlin.
Brittneyhollinger.com
“If you are seeing this, Hey! Hi!” is attempt to blur the lines between truth and fiction.
These works are an ongoing, and conclusion-less investigation into the rhythms of situational leisure. I mean, look at how much fun were having! This project is presented as evidence of time being killed, or rather, the appropriation of time and underlines the feeling that nothing has any consequences.
Brittney Hollinger (b. 1988) is a multi-disciplinary artist working mainly in Photography and text. She received her BFA from Ringling College of Art and Design in Sarasota, Florida (USA) in 2011. She has exhibited both internationally and nationally in galleries and project spaces in Berlin and New York City. Currently, she is an artist in residence at the Institut Für Alles Mögliche and in 2012 participated in Picture Berlin residency, both in Berlin.
Brittneyhollinger.com
FARBVERSCHIEBUNG
Saturday, June 9th 2018 / 19-22h
@ Kanzlei / Schererstr. 9 / Berlin-Wedding
Saturday, June 9th 2018 / 19-22h
@ Kanzlei / Schererstr. 9 / Berlin-Wedding
It is not the first time that an exhibition was titled Color shift (Farbverschiebung in German). It is undoubtedly a great name for a show of work that explores color relationships within abstract composition, however this is not the case with the works from Fernanda Figueiredo. Her acrylic paintings simultaneously embody the distinct languages of figuration and abstraction. Despite their indulging colorful pallet, these works are up to raise the discussion of tropical exoticism and at the same time the historical role of painting in these dialogs. Color shift is then a general term for “unfaithful color rendition” or in the case of this exhibition a synonym for deviation or aberration.
Beginning with the work of the Swiss architect, artist and designer Max Bill, as one of the main influences of the transitional period between Figurativism to Abstractionism in the 1950s, the works on view propose a fresh look on the impacts of the theoretical problems of Concretism developed in the Bauhaus and later in the Ulm School of Design (Hochschule für Gestaltung Ulm), within a Brazilian context. It goes beyond color to discuss the mystification of the European avant-garde and the copy of this model as postcolonial effect on Brazilian design and visual arts.
Fernanda Figueiredo (1978, São Paulo, Brazil) studied architecture and visual arts in São Paulo and moved to Berlin in 2015. In 2012 and 2013 she took part in the artist residencies Picture Berlin and Fire Station Artists’ Studios in Dublin respectively, and in 2017 she was awarded the Goldrausch Künstlerinnenprojekt Stipendium in Berlin. She has also won three prestigious grants by the Ministry of Culture of Brazil - Programa Rede Nacional FUNARTE Artes Visuais (2014), Conexão Cultura Brasil (2014) and Programa de Difusão Cultural e Intercâmbio (2013). Her works were exhibited at the Museu de Arte Moderna in Rio de Janeiro (2010), Caixa Cultural in Rio de Janeiro (2011), Museu de Arte de Blumenau (2014), Tête, Berlin (2015) and at Kunstquartier Bethanien in Berlin (2017). She has works at the permanent collection of the Museu de Arte Moderna in Rio de Janeiro.
> fernandafigueiredo.com
Exhibition organized by Brittney Hollinger:
Brittney Hollinger (b. 1988) is a multi-disciplinary artist working mainly with Photography and text. She received her BFA from Ringling College of Art and Design in Sarasota, Florida (USA) in 2011. She has exhibited both internationally and nationally in galleries and project spaces in Berlin and New York City. Currently, she is an artist in residence at the Institut Für Alles Mögliche and in 2012 participated in Picture Berlin residency, both in Berlin.
Hollinger lives and works in New York City, USA.
> brittneyhollinger.com
Beginning with the work of the Swiss architect, artist and designer Max Bill, as one of the main influences of the transitional period between Figurativism to Abstractionism in the 1950s, the works on view propose a fresh look on the impacts of the theoretical problems of Concretism developed in the Bauhaus and later in the Ulm School of Design (Hochschule für Gestaltung Ulm), within a Brazilian context. It goes beyond color to discuss the mystification of the European avant-garde and the copy of this model as postcolonial effect on Brazilian design and visual arts.
Fernanda Figueiredo (1978, São Paulo, Brazil) studied architecture and visual arts in São Paulo and moved to Berlin in 2015. In 2012 and 2013 she took part in the artist residencies Picture Berlin and Fire Station Artists’ Studios in Dublin respectively, and in 2017 she was awarded the Goldrausch Künstlerinnenprojekt Stipendium in Berlin. She has also won three prestigious grants by the Ministry of Culture of Brazil - Programa Rede Nacional FUNARTE Artes Visuais (2014), Conexão Cultura Brasil (2014) and Programa de Difusão Cultural e Intercâmbio (2013). Her works were exhibited at the Museu de Arte Moderna in Rio de Janeiro (2010), Caixa Cultural in Rio de Janeiro (2011), Museu de Arte de Blumenau (2014), Tête, Berlin (2015) and at Kunstquartier Bethanien in Berlin (2017). She has works at the permanent collection of the Museu de Arte Moderna in Rio de Janeiro.
> fernandafigueiredo.com
Exhibition organized by Brittney Hollinger:
Brittney Hollinger (b. 1988) is a multi-disciplinary artist working mainly with Photography and text. She received her BFA from Ringling College of Art and Design in Sarasota, Florida (USA) in 2011. She has exhibited both internationally and nationally in galleries and project spaces in Berlin and New York City. Currently, she is an artist in residence at the Institut Für Alles Mögliche and in 2012 participated in Picture Berlin residency, both in Berlin.
Hollinger lives and works in New York City, USA.
> brittneyhollinger.com
OPEN STUDIOS
Saturday, May 26th 2018 / 18-22h
@ Zentrale + Niederlassung Berlin + Kanzlei / Schererstr. 9/10/11 / Berlin-Wedding
Saturday, May 26th 2018 / 18-22h
@ Zentrale + Niederlassung Berlin + Kanzlei / Schererstr. 9/10/11 / Berlin-Wedding
KANZLEI: Presentation by Ben Dehaan
www.facebook.com/events/2187155261506755/
www.facebook.com/events/2187155261506755/
BEN DEHAAN
2018
@ Kanzlei / Schererstr. 9 / Berlin-Wedding
2018
@ Kanzlei / Schererstr. 9 / Berlin-Wedding
WEDDING BERLIN
March 27 / 19h
@ Kanzlei / Schererstraße 9 / Berlin-Wedding
March 27 / 19h
@ Kanzlei / Schererstraße 9 / Berlin-Wedding
OPEN STUDIOS
Friday, February 9th 2018 / 19h
@ Zentrale + Niederlassung Berlin + Kanzlei / Schererstr. 9/10/11 / Berlin-Wedding
Friday, February 9th 2018 / 19h
@ Zentrale + Niederlassung Berlin + Kanzlei / Schererstr. 9/10/11 / Berlin-Wedding
Maryam Mirzaee is an abstract painter who improvises using unconsciousness. She follows the sounds, signs and symbols to find out the truth about the object, or rather the subject that is already predetermined. And the subjects which are in the center of her attention are often people, visions, dialogues, nature, geography, walls, borders. This time the subject is "where is Berlin" and the name of the new collection is Wedding Berlin.
> www.maryammirzaee.com
> www.maryammirzaee.com
OPEN STUDIO
Flash / Curtain of Light
Dec 15 - 17 2017 / 19h every day
@ Zentrale + Kanzlei / Schererstr. 9 + 11 / Berlin-Wedding
Flash / Curtain of Light
Dec 15 - 17 2017 / 19h every day
@ Zentrale + Kanzlei / Schererstr. 9 + 11 / Berlin-Wedding
Everything Good Studio is Rachel Ciavarella + Jack Kalish. For the past two months we have been developing this interactive installation, Curtain of Light, as a part of our artists residency with Institute Für Alles Mögliche. Come by, meet the artists and experience the work.
Opening Event: 15.12.17 19H
Open hours: 15.12.17 - 17.12.17 19-22H
Curtain of Light is an interactive volumetric projection installation. A barrier of light divides the gallery - which visitors are encouraged to push against. The boundary moves and sounds in response to the touch of those that approach it.
In light of recent political events, it has become clear that we are living in an increasingly divided and isolationist world. However, many of these perceived divisions are superficial. Curtain of Light highlights and dispels these arbitrary and destructive divisions. Although both the physical and psychological walls that divide us may seem solid and unmoving, we show just how fragile these constructs are. When you start to resist and push back, they fall away.
Via this work, we create an environment which forces
people to confront the barriers between them. As an interactive art installation that is open to the public, our goal is to create a work that encourages strangers to interact and connect with one another. Participating in Curtain of Light acts as a catalyst for dissolving barriers and bringing people together through a common experience.
www.everythinggood.studio
Opening Event: 15.12.17 19H
Open hours: 15.12.17 - 17.12.17 19-22H
Curtain of Light is an interactive volumetric projection installation. A barrier of light divides the gallery - which visitors are encouraged to push against. The boundary moves and sounds in response to the touch of those that approach it.
In light of recent political events, it has become clear that we are living in an increasingly divided and isolationist world. However, many of these perceived divisions are superficial. Curtain of Light highlights and dispels these arbitrary and destructive divisions. Although both the physical and psychological walls that divide us may seem solid and unmoving, we show just how fragile these constructs are. When you start to resist and push back, they fall away.
Via this work, we create an environment which forces
people to confront the barriers between them. As an interactive art installation that is open to the public, our goal is to create a work that encourages strangers to interact and connect with one another. Participating in Curtain of Light acts as a catalyst for dissolving barriers and bringing people together through a common experience.
www.everythinggood.studio
OPEN STUDIO
October 29 2017 / 17h
@ Zentrale + Kanzlei + Kabinett / Schererstr. 9+11 / Berlin-Wedding
October 29 2017 / 17h
@ Zentrale + Kanzlei + Kabinett / Schererstr. 9+11 / Berlin-Wedding
Everything Good is a multi-disciplinary art and design studio founded by Rachel Ciavarella and Jack Kalish. Their work emphasizes applying new technologies in innovative and creative ways. During this open-studio they will be demonstrating new individual and collaborative works-in-progress, including: Wall of Light - an interactive volumetric projection installation.
www.everthinggood.studio
www.everthinggood.studio
OPEN STUDIO
September 29 2017 / 19h
@ Zentrale + Niederlassung Berlin + Kanzlei / Schererstr. 11+10+9 / Berlin-Wedding
September 29 2017 / 19h
@ Zentrale + Niederlassung Berlin + Kanzlei / Schererstr. 11+10+9 / Berlin-Wedding
Reichstag Blue (264 words)
“...[H]undreds of years of handwritten German became illegible to the general public”.
Like most access to information, we are able to distinguish facsimile only when the content is available to us. Process still leads to some understanding of a truth, given its form and shape, which is something to take to heart.
The works on the walls are such convolutions of information, operating on a realm of understanding that allows for the viewer to engage content that is alien and hermetic, yet through experience and inference, a content is presented. These are forms of bureaucracy. They are transcending time and carrying them with it at the same time. These forms and their typographies have been used the same way politics uses people and their cultures: to victimize and to exclude, to empower and to include.
Reichstag Blue is a collection of filled application forms transcribed in Kurrent, a typeface used to standardize the written language of the country and at other points in time to alienate others from it as well as include them onto it lest we ask ourselves what community can mean. we must acknowledge that the transfer of information at the different levels of society is a necessity. Be it by the blue color of unity and cooperation or the voices of many embossed on every avenue of daily life, our contemplation of the Other is one that moves temporally and surfaces whenever citizen and non- takes part on the theatre of politics and art. These factures are those movements on the wall. A submission not for sympathy but empathy.
“...[H]undreds of years of handwritten German became illegible to the general public”.
Like most access to information, we are able to distinguish facsimile only when the content is available to us. Process still leads to some understanding of a truth, given its form and shape, which is something to take to heart.
The works on the walls are such convolutions of information, operating on a realm of understanding that allows for the viewer to engage content that is alien and hermetic, yet through experience and inference, a content is presented. These are forms of bureaucracy. They are transcending time and carrying them with it at the same time. These forms and their typographies have been used the same way politics uses people and their cultures: to victimize and to exclude, to empower and to include.
Reichstag Blue is a collection of filled application forms transcribed in Kurrent, a typeface used to standardize the written language of the country and at other points in time to alienate others from it as well as include them onto it lest we ask ourselves what community can mean. we must acknowledge that the transfer of information at the different levels of society is a necessity. Be it by the blue color of unity and cooperation or the voices of many embossed on every avenue of daily life, our contemplation of the Other is one that moves temporally and surfaces whenever citizen and non- takes part on the theatre of politics and art. These factures are those movements on the wall. A submission not for sympathy but empathy.
participating artists:
Oscar Ivan Gonzalez
Lee Ju-Ree
Jang Young Ae
Studio LaCube
Oscar Ivan Gonzalez
Lee Ju-Ree
Jang Young Ae
Studio LaCube
OPEN STUDIO
Tue Aug 29 2017 / 19h
@ Niederlassung Berlin + Kanzlei / Schererstr. 9 + 10 / Berlin-Wedding
Tue Aug 29 2017 / 19h
@ Niederlassung Berlin + Kanzlei / Schererstr. 9 + 10 / Berlin-Wedding
Works by Kang Ha Kyung, Cho Eun Hye and Oscar Ivan Gonzalez.
OPEN STUDIO
Saturday, July 29 2017 / 19h
@ Kanzlei / Schererstr. 9 / Berlin-Wedding
Saturday, July 29 2017 / 19h
@ Kanzlei / Schererstr. 9 / Berlin-Wedding
Works by Solomon Nagler (CA) > WEB & Angela Henderson (CA) > WEB
Exploring the impermanence and anarchitectural forms of non-archives, this work documents the light and deteriorating materials stored in the Chevra Nosim genizah; a book graveyard that is hidden in the only surviving synagogue in Lublin, Poland. In this space, ancient books are laid to decay, embraced by contemporaneous time and circumstance. Treated like human bodies, as they fade to dust, the sacred is thought to be released from its corporeal form.
Angela Henderson and Solomon Nagler present a triptych of works that emerge as an anti-monument. Duration is both implicitly presented in the form of a 16mm film, and implied through the subtle stratum of natural light expressed within the work’s sculptural elements. Layers of fabric, grounded in cement castings,
at once erase and abstract, while embracing minimalist principles of a direct material presence of the work. A looping projector screens abstract light textures, captured through a series of cameraless experiments, where celluloid material was embedded in the non-archive in Lublin. The light escaping into the space through its porous walls and emanating from the decaying material itself creates a structuralist index of the inevitable transience of form. The projection is embedded in a precarious tower of seven found stones, a reference to memory and mourning, expressing the numerological significance of 7/8. The former representing corporal world and the later ephemeral presence. A leaning, casted cement sculpture is a memorial that has undergone erasure. Tension is expressed through a gestural wrapping of string around 18 measures embedded in the work. As a whole the genizah is a composite form that explores the fragility of memory and the subtle, fleeting presence of light movements.
Exploring the impermanence and anarchitectural forms of non-archives, this work documents the light and deteriorating materials stored in the Chevra Nosim genizah; a book graveyard that is hidden in the only surviving synagogue in Lublin, Poland. In this space, ancient books are laid to decay, embraced by contemporaneous time and circumstance. Treated like human bodies, as they fade to dust, the sacred is thought to be released from its corporeal form.
Angela Henderson and Solomon Nagler present a triptych of works that emerge as an anti-monument. Duration is both implicitly presented in the form of a 16mm film, and implied through the subtle stratum of natural light expressed within the work’s sculptural elements. Layers of fabric, grounded in cement castings,
at once erase and abstract, while embracing minimalist principles of a direct material presence of the work. A looping projector screens abstract light textures, captured through a series of cameraless experiments, where celluloid material was embedded in the non-archive in Lublin. The light escaping into the space through its porous walls and emanating from the decaying material itself creates a structuralist index of the inevitable transience of form. The projection is embedded in a precarious tower of seven found stones, a reference to memory and mourning, expressing the numerological significance of 7/8. The former representing corporal world and the later ephemeral presence. A leaning, casted cement sculpture is a memorial that has undergone erasure. Tension is expressed through a gestural wrapping of string around 18 measures embedded in the work. As a whole the genizah is a composite form that explores the fragility of memory and the subtle, fleeting presence of light movements.
OPEN STUDIO
Sunday, June 25 2017 / 19h
@ Zentrale + Niederlassung Berlin + Kanzlei / Schererstraße 9+10+11 / Berlin-Wedding
Sunday, June 25 2017 / 19h
@ Zentrale + Niederlassung Berlin + Kanzlei / Schererstraße 9+10+11 / Berlin-Wedding
THE RESTOFUS
We are denied every day to be who we are, to express ourselves and live our life the way we want. Decisions are made by people around us who think they have power to define what "normal" is.
This open studio is about 18 individuals from Eastern Europe who define themselves as Transgender, Non-binary or they don’t define themselves at all.
This place is about you and me as beautiful individuals.
Alma Selimovic
www.facebook.com/events/664896230385213/
We are denied every day to be who we are, to express ourselves and live our life the way we want. Decisions are made by people around us who think they have power to define what "normal" is.
This open studio is about 18 individuals from Eastern Europe who define themselves as Transgender, Non-binary or they don’t define themselves at all.
This place is about you and me as beautiful individuals.
Alma Selimovic
www.facebook.com/events/664896230385213/
PROJECT/TALKS (#9)
Friday, May 19 2017 / 18-20h
@ Kanzlei / Schererstraße 9 / Berlin-Wedding
Friday, May 19 2017 / 18-20h
@ Kanzlei / Schererstraße 9 / Berlin-Wedding
Artists of the Institut: Cian Costello, April Gertler, Michael Lachman, Inés Molinari, Juan Pablo Nazar, Lyndsay Pomerantz, Stefan Riebel, Alma Selimovic, Jenny Sonenberg, Amalia Valdes are talking about current projects and their artistic approaches.
www.i-a-m.tk/project-talks.html
www.i-a-m.tk/project-talks.html
SAD DRAWINGS
January 28 2017 / 17-21h
@ Kanzlei / Schererstraße 9 / Berlin-Wedding
January 28 2017 / 17-21h
@ Kanzlei / Schererstraße 9 / Berlin-Wedding
Christine Crook, Aggie Davies, M.E. Sparks, Jessica Dunne and Tineke de Coster invite you to an open studio exhibition, ‘Sad Drawings’: a space of unfinished work, ideas in flux, and rejected moments.
This event investigates the unseen material generated within a studio space, questioning when a work is determined finished or not, and exploring the ways in which ideas evolve.
Fleeting concepts and visual experiments that develop within the closed pages of a sketchbook will be placed in the open.
Curious about where this leads? Come and take a look on January the 28th at the I-A-M studios on Schererstrasse! We will be happy to see you all.
> www.facebook.com/events/748489078633173/
This event investigates the unseen material generated within a studio space, questioning when a work is determined finished or not, and exploring the ways in which ideas evolve.
Fleeting concepts and visual experiments that develop within the closed pages of a sketchbook will be placed in the open.
Curious about where this leads? Come and take a look on January the 28th at the I-A-M studios on Schererstrasse! We will be happy to see you all.
> www.facebook.com/events/748489078633173/
OPEN STUDIO
Saturday, December 17 2016 / 15-20h
@ Niederlassung Berlin + Kanzlei / Schererstraße 9+10 / Berlin-Wedding
Saturday, December 17 2016 / 15-20h
@ Niederlassung Berlin + Kanzlei / Schererstraße 9+10 / Berlin-Wedding
Tineke de Coster and Linda Tegg are opening their studios. Come and take a look at what their doing at Institut für alles Mögliche! Feel free to invite friends, family and anyone you think of who is interested in this.
> tinekedecoster.wordpress.com
> www.lindategg.com
PERFORMATIVE PHOTOGRAPHY
Friday, October 28 / 19h
@ Kanzlei / Schererstraße 9 / Berlin-Wedding
Friday, October 28 / 19h
@ Kanzlei / Schererstraße 9 / Berlin-Wedding
For three months, I have lived in Berlin as a resident artist in a studio where the space is divided into two parts: a white room with high ceilings, which serves as a gallery space, and a living area with a bedroom and kitchen, which has become my home.
For the last Open Studio Show of my artist residency I have decided to use my living area instead of the gallery space.
For 4 hours I will be performing in a format of “Performative Photography”. Guests are invited to enter my living area / my home individually or in groups of two, while I'll be taking live photographs.
www.veronikamarquez.com
For the last Open Studio Show of my artist residency I have decided to use my living area instead of the gallery space.
For 4 hours I will be performing in a format of “Performative Photography”. Guests are invited to enter my living area / my home individually or in groups of two, while I'll be taking live photographs.
www.veronikamarquez.com
TO SEE IF
August 25 2016 / 19h
@ Kanzlei + Niederlassung Berlin / Schererstraße 9+10 / Berlin-Wedding
August 25 2016 / 19h
@ Kanzlei + Niederlassung Berlin / Schererstraße 9+10 / Berlin-Wedding
Veronika Marquez is a new media artist working in photography, video, and performance. Her work utilizes life experiences from her past, where fantasy and reality are interwoven. Using her body as a fundamental center in her work, Veronika calls to question realities we assume are valid. She interacts with her own body and her multiple identities in the place where she resides.
Veronika is known as an international artist who develops unique projects that disrupt pre-established boundaries.
Born in Uruguay, Veronika is based in Spain. She is represented by Galería Cero (Spain), and has participated in several events, among the most relevant: Museum Da2, My Name is Lolita Art, Metrópolis/Madatac (Spain), Milim Gallery (England), Concoran Gallery, Stephen Cohen Gallery (USA), National Museum of Visual Art (Uruguay).
> www.veronikamarquez.com
Veronika is known as an international artist who develops unique projects that disrupt pre-established boundaries.
Born in Uruguay, Veronika is based in Spain. She is represented by Galería Cero (Spain), and has participated in several events, among the most relevant: Museum Da2, My Name is Lolita Art, Metrópolis/Madatac (Spain), Milim Gallery (England), Concoran Gallery, Stephen Cohen Gallery (USA), National Museum of Visual Art (Uruguay).
> www.veronikamarquez.com
ARCHIVE / ARCHIVE OF MOMENTS (BERLIN)
Saturday, July 23 2016 / 19h
@ Kanzlei / Schererstraße 9 / Berlin-Wedding
Saturday, July 23 2016 / 19h
@ Kanzlei / Schererstraße 9 / Berlin-Wedding
Archives function to record, collect, accumulate, correlate and preserve data, in relaying information about a place, an experience, an encounter or a moment in time.
This exhibition brings together a body of work developed by the artist collective Zoë during their one-month residency in Berlin, where they have sought to respond directly with their own site-specificity. This involved exploring the city by engaging with the distinctive sense of place, in capturing and extracting moments that may otherwise go unseen and be subsequently forgotten.
For Chloe, this largely consisted of sketching anonymous individuals in parks, and thinking more broadly about the way we engage in public spaces. Particularly, this resonated in terms of considering these parks as arenas of social exchange and congregation. For Zac, this involved prolifically photographing his excursions on foot, where these images and their compositional elements would then be reappropriated in a process of reconfiguration and recalibration through his fabric collages.
Back at the studio, these two processes (that are by nature, fundamentally very different) would converge, forming a reciprocal dialogue of shared ideas and impressions. In turn, this porous way of working has forged a new language of marks, lines and imagery, specific to Zoë’s own experience of their time here in Berlin.
Zoë COLLECTIVE
Zoë brings together two artists, and real-life couple, Zachary Harold and Chloe Gunn. Working collaboratively within the same residency space in Berlin, for the first time we see their separate and distinct practices become intertwined, as the effects of their close proximity create a tighter space for them to engage and play off one another. These points of convergence and collision are underpinned by their own awareness of their situ, as they explore their geographical surroundings in Berlin, encompassing their sense of wonderment, displacement, disorientation and excitement incited by this city.
This exhibition brings together a body of work developed by the artist collective Zoë during their one-month residency in Berlin, where they have sought to respond directly with their own site-specificity. This involved exploring the city by engaging with the distinctive sense of place, in capturing and extracting moments that may otherwise go unseen and be subsequently forgotten.
For Chloe, this largely consisted of sketching anonymous individuals in parks, and thinking more broadly about the way we engage in public spaces. Particularly, this resonated in terms of considering these parks as arenas of social exchange and congregation. For Zac, this involved prolifically photographing his excursions on foot, where these images and their compositional elements would then be reappropriated in a process of reconfiguration and recalibration through his fabric collages.
Back at the studio, these two processes (that are by nature, fundamentally very different) would converge, forming a reciprocal dialogue of shared ideas and impressions. In turn, this porous way of working has forged a new language of marks, lines and imagery, specific to Zoë’s own experience of their time here in Berlin.
Zoë COLLECTIVE
Zoë brings together two artists, and real-life couple, Zachary Harold and Chloe Gunn. Working collaboratively within the same residency space in Berlin, for the first time we see their separate and distinct practices become intertwined, as the effects of their close proximity create a tighter space for them to engage and play off one another. These points of convergence and collision are underpinned by their own awareness of their situ, as they explore their geographical surroundings in Berlin, encompassing their sense of wonderment, displacement, disorientation and excitement incited by this city.
SUMMERSESSION (2016)
June 27 - July 4 2016
OPEN STUDIO: Sunday 3 July / 18h
@ Zentrale + Niederlassung Berlin + Kanzlei / Schererstraße 9+10+11 / Berlin-Wedding
June 27 - July 4 2016
OPEN STUDIO: Sunday 3 July / 18h
@ Zentrale + Niederlassung Berlin + Kanzlei / Schererstraße 9+10+11 / Berlin-Wedding
ELENA GIULIA ABBIATICI
CLAUDIO DE MEO
MATTEO GIUNTINI
FRANCO LOSVIZZERO
CHLOE SMITH
ADELA SOUCKOVA
LAURA GUOKE
> SESSIONS
> more: https://www.facebook.com/events/1135013409875136/
In cooperation with Giovanni Morasutti and ART AIA.
CLAUDIO DE MEO
MATTEO GIUNTINI
FRANCO LOSVIZZERO
CHLOE SMITH
ADELA SOUCKOVA
LAURA GUOKE
> SESSIONS
> more: https://www.facebook.com/events/1135013409875136/
In cooperation with Giovanni Morasutti and ART AIA.
INSTITUTIONAL BIRTHDAY PARTY
ADOLF ILLUSTRATOR - Valerio Rossi (I)
OPEN STUDIO - Bailey Romaine (USA)
DRUCKSACHEN/PRINTED MATTERS - Ilse Ermen (F)
Saturday, June 25 2016 / 18h
@ Zentrale + Niederlassung Berlin + Kanzlei / Schererstraße 9+10+11 / Berlin-Wedding
ADOLF ILLUSTRATOR - Valerio Rossi (I)
OPEN STUDIO - Bailey Romaine (USA)
DRUCKSACHEN/PRINTED MATTERS - Ilse Ermen (F)
Saturday, June 25 2016 / 18h
@ Zentrale + Niederlassung Berlin + Kanzlei / Schererstraße 9+10+11 / Berlin-Wedding
The Institut turns 6 this June and celebrates with lollipops, schnaps and hopefully you!
On this occasion there is an exhibition by Valerio Rossi (I), an OPEN STUDIO by Bailey Romaine (USA) and a BÜCHERBAZAR by Ilse Ermen (F) with a brand new book release.
Das Institut wird 6 Jahre alt und feiert mit Lollipops, Schnaps und mit Euch!
Außerdem eröffnet Valerio Rossi (I) eine Ausstellung, Bailey Romaine (USA) ihr Atelier und Ilse Ermen (F) ihren BÜCHERBAZAR mit einer brandneuen Publikation.
Supported / Unterstützt von www.bebopsweets.com
On this occasion there is an exhibition by Valerio Rossi (I), an OPEN STUDIO by Bailey Romaine (USA) and a BÜCHERBAZAR by Ilse Ermen (F) with a brand new book release.
Das Institut wird 6 Jahre alt und feiert mit Lollipops, Schnaps und mit Euch!
Außerdem eröffnet Valerio Rossi (I) eine Ausstellung, Bailey Romaine (USA) ihr Atelier und Ilse Ermen (F) ihren BÜCHERBAZAR mit einer brandneuen Publikation.
Supported / Unterstützt von www.bebopsweets.com
NAKED.FLESH.MUSEUM
Saturday, May 21 2016 / 21h
@ Zentrale + Niederlassung + Kanzlei / Schererstraße 9 + 10 + 11 / Berlin-Wedding
Saturday, May 21 2016 / 21h
@ Zentrale + Niederlassung + Kanzlei / Schererstraße 9 + 10 + 11 / Berlin-Wedding
The group exhibition of 4 women in 3 spaces on 1 street in multiple ways-
Truthful bodies will interact with the master data truths of the life process, laboratories of art will positively nurture a patriarchal society which is afraid to smile at the Carnival of the free and anti – capitalistic evolution. In a street where anything should be happening, in those streets where often we cross sighs and missed affections, Benvenuti Magali, Sara Edström, Eva Evrad and Stéphanie Roland, find their time in their space, educating it as a heterogeneous and without conflicts proof of their passion.
Sometimes we talk about sex. Other times, what art should be market and commodification. This time we talk about explored bodies. Projects evolving as to be explored.
Magali Benvenuti, Sara Edström, Eva Evrard and Stéphanie Roland will open their spaces giving us the opportunity to talk with their productions, researches and, in some cases, with themselves. Naked. Flesh. of Museums. It lifts the art by common prejudice, directly shots the spontaneity producing three different physical and mental thoughts. Benvenuti is the Naked. Sara is Flesh. Eva and Stephanie are the untied bodies of an evolving museum.
Timing and arting
Eva Evrard – Stéphanie Roland
@Kanzlei – Schererstr. 9 / Berlin-Wedding
21h
“Museum Privatization and Global Crisis”
Stéphanie Roland and Eva Evrard are two belgian artists with their own artistic practices which will join their forces in a new project in order to challenge the conditions of existence of a museum, blurring the boundaries between the roles of Artist and Curator. “In reaction to Museum Privatization and Global Crisis, we will create a mobile nocturnal museum where one artist at once will be invited to show an artwork only during one night. “ The museum’s design will be inspired by the refugee shelter and will move to different locations following the specificity of the selected artist’s work. The aim of our residency in Institut Für Alles Mögliche is the preparation of the museum’s construction process in collaboration with architects and upcoming participating artists.
Sara Edström
@Niederlassung at Schererstr. 10 / Berlin-Wedding
21.45H
“Could you please hold me?”
“For my second open studio at the Institut Für Alles Möglishe I have continued to work to understand myself and rediscover who I am now in the middle of my life. I zoom in on my own body and realize the need to embrace it. And acknowledge he essential power of the touch. I need to hold on to myself. And I also need to be occasionally held”.
Sara Eström has focused on experimenting with new material, new expressions. I show new paintings, video, photo and sculptures made in play-doh. “As a mother of three this material is very familiar to me, it is like the material itself is some kind of self portrait. The simple mix of flour, salt and water from which I can create my own story”.
Magali Benvenuti
@Zentrale at Schererstr.11 / Berlin-Wedding
22.30H
“Open”
Benvenuti Magali has planned a clear interweaving of video art and active performances open to the public. Thanks to the presence of two music artists, Ben R. Osborn and
@Rachel Margetts, her space plays harmoniously with the project and elaboration made by music. Everything is clear and long-waited. “I talked with the musicians today, and the idea would be that the audience stay outside and that I project the video "OPEN" on the glass of the IAM: so that it creates a kind of ghost... And the musicians would play outside, besides the audience.”
Her residency is supported by @The Fiacre-RA (France) and the Grenoble, France.
THE BLUE FORM FOLDS IN TWO.
Stanzie Tooth & Jessica Groome
March 26 2016 / 19h
@ Kanzlei / Schererstr. 9 / Berlin-Wedding
Stanzie Tooth & Jessica Groome
March 26 2016 / 19h
@ Kanzlei / Schererstr. 9 / Berlin-Wedding
The blue form folds in two. It hovers then sits. Silence punctuated by the muffled sounds of a phone call.
Through the studio window a blue haze reduces the outside world to blobs, outlines and profiles. Blue is the colour of obscurity: the shadow, the cut-out, the contour and the silhouette. This project began with a simple gesture - of mimicking the outline of a passing figure through a fogged window. Once captured, the outline became an independent being, an object of loneliness. Alone, the form was a presence and a personality. It demanded a conversation.
What does it mean to share a gesture of loneliness? Jessica Groome and Stanzie Tooth became friends by the act of sharing a solitary expression. From the initial observation of the form, a conversation began around this threshold experience and the act of solitary art making.
The strength of this partnership is in its difference, with each artist approaching from either side of the quivering line between representation and abstraction. The installation developed via a call and response, utilizing positive and negative forms (and the space between) to create an undulating and active display. Figures are lost and found within the movement of shapes and lines. Their impressions are depicted with immediate gestures containing the spontaneity and intimacy of a point in time. Through shifts in scale and material play, the boundaries between body and space are re-imagined: responding to the conditions of solitude, inspiration and the studio.
Through the studio window a blue haze reduces the outside world to blobs, outlines and profiles. Blue is the colour of obscurity: the shadow, the cut-out, the contour and the silhouette. This project began with a simple gesture - of mimicking the outline of a passing figure through a fogged window. Once captured, the outline became an independent being, an object of loneliness. Alone, the form was a presence and a personality. It demanded a conversation.
What does it mean to share a gesture of loneliness? Jessica Groome and Stanzie Tooth became friends by the act of sharing a solitary expression. From the initial observation of the form, a conversation began around this threshold experience and the act of solitary art making.
The strength of this partnership is in its difference, with each artist approaching from either side of the quivering line between representation and abstraction. The installation developed via a call and response, utilizing positive and negative forms (and the space between) to create an undulating and active display. Figures are lost and found within the movement of shapes and lines. Their impressions are depicted with immediate gestures containing the spontaneity and intimacy of a point in time. Through shifts in scale and material play, the boundaries between body and space are re-imagined: responding to the conditions of solitude, inspiration and the studio.
STILL TALKING
December 22nd 2015 / 19h
@ Kanzlei / Schererstr. 9 / Berlin-Wedding
December 22nd 2015 / 19h
@ Kanzlei / Schererstr. 9 / Berlin-Wedding
"An 'Image' is that which presents an intellectual and emotional complex in an instant of time. " (Ezra Pound).
Maria Chirco is an Italian artist and photographer. Her exhibition traces her career over more than 15 years of photography research and culminates with her last Berliner work entitled “Still Talking”. It brings to such an extreme that two images, the forest and the sea, are overlapped on each other, expressing her wish of unison between land and sea. This celebrates a long-lasting analysis focused mainly on memories and on a self-observing study.
Her works are permeated with mystical tones and emotional textures, providing visual metaphors for a dreamlike and intimate world, as the result of a perpetual introspective examination/exploration, often inspired by folk traditions, symbolism and surrealism.
In connection with the exhibition there will be an exclusive concert of GOD IN PANIC (Italy) and a dance performance by Magalie Benvenuti (France).
www.mariachirco.it
Maria Chirco is an Italian artist and photographer. Her exhibition traces her career over more than 15 years of photography research and culminates with her last Berliner work entitled “Still Talking”. It brings to such an extreme that two images, the forest and the sea, are overlapped on each other, expressing her wish of unison between land and sea. This celebrates a long-lasting analysis focused mainly on memories and on a self-observing study.
Her works are permeated with mystical tones and emotional textures, providing visual metaphors for a dreamlike and intimate world, as the result of a perpetual introspective examination/exploration, often inspired by folk traditions, symbolism and surrealism.
In connection with the exhibition there will be an exclusive concert of GOD IN PANIC (Italy) and a dance performance by Magalie Benvenuti (France).
www.mariachirco.it
UNVERBLÜHMT
November 26th 2015
@ Kanzlei / Schererstr. 9 / Berlin-Wedding
November 26th 2015
@ Kanzlei / Schererstr. 9 / Berlin-Wedding
"Anna Blume", produziert und animiert von Ebele Okoye, ist ein visuelles Gedicht über die Lust eines Mannes, einer Frau nachzujagen. Eine surreale Reise, inspiriert von Kurt Schwitters' dadaistischem Gedicht.
http://ebeleokoye.com/
http://ebeleokoye.com/
INVENTORS AT THE APOCALYPSE
November 3-15th 2015
@ Kanzlei / Schererstr. 9 / Berlin-Wedding
November 3-15th 2015
@ Kanzlei / Schererstr. 9 / Berlin-Wedding
Open studio event with Sophie Hirsch, Tyler Berrier, Jesse Hlebo and Kyode Ojo.
HOURS: Fri+Sun 12-18h / or by appointment through: [email protected]
www.facebook.com/events/460150750838758/
HOURS: Fri+Sun 12-18h / or by appointment through: [email protected]
www.facebook.com/events/460150750838758/
OPEN STUDIO
October 29 / 18h
@ Zentrale + Niederlassung Berlin + Kanzlei / Schererstraße 11 + 10 + 9 / Berlin-Wedding
October 29 / 18h
@ Zentrale + Niederlassung Berlin + Kanzlei / Schererstraße 11 + 10 + 9 / Berlin-Wedding
OPEN STUDIO BY
Austin Chaston / London
Jessica Cobb / Chicago
Meik Brüsch / Copenhagen
Austin Chaston / London
Jessica Cobb / Chicago
Meik Brüsch / Copenhagen
URBAN NOT URBAN
Thursday, Sep 24th 2015 / 18h
@ Kanzlei / Schererstraße 9 / Berlin-Wedding
Thursday, Sep 24th 2015 / 18h
@ Kanzlei / Schererstraße 9 / Berlin-Wedding
Betty Zanelli’s "Urban not Urban" sparkles from the astonished glance at those places where nature took over the human architectural artifacts, delocalizing them. As such, creating a series of 'non - lieux' that becomes an ephemeral and imaginary landscape, organic to but distant from the city it is located in: Berlin.
Betty Zanelli is an artist working with photography, digital painting and installation. Since the year 2000, she has focused on the use of photography and digital printing, media she uses to investigate popular iconography and urban environment. She has been traveling to further her own research on abandoned places, empty entertainment places or amusement parks, as for the recent research on the Berlin Spreepark , the former DDR Kulturpark. In the past four years, Betty Zanelli traveled in particular to Berlin where at the moment she is holding an art residency at the Institut für Alles Mögliche. www.cargocollective.com/bettyzanelli |
ADAM RUTHERFORD
August 2015
@ Kanzlei / Schererstr. 9 / Berlin-Wedding
August 2015
@ Kanzlei / Schererstr. 9 / Berlin-Wedding
Artistic Director Adam Rutherford has spent the month of August 2015 at the Institut Für Alles Mögliche, Wedding Space, in Berlin, Germany.
The residency has been an invaluable period of personal research and development for Rutherford who has been investigating his post head surgery limitations in relation to movement and moving. Whilst experimenting with his new found movement vocabulary he has also been devising a new solo entitled #One.
#One is a frank and honest autobiographical work which delves into Rutherford's suppressed childhood memories of identifying as gay in a hostile environment. The work highlights the experiences of a young working class male trying to rid the oppressive thoughts of shame whilst existing in the UK under a Conservative government and their infamous Section 28 clause during the 90's.
#One compliments Rutherford's 2015 trio Never Going Home Again by enhancing the personal repercussions of the political and magnifying the intricate link between the two. Never Going Home Again premiered at Artrix Arts Centre to critical acclaim at the beginning of 2015 and was inspired by the introduction of Russia's recent anti-gay laws. A law not that dissimilar to the now defunct Section 28 clause.
Layered with symbolism and influenced by expeditions to historical landmarks, museums and exhibitions during Rutherford's residency in Berlin - #One will enthral and educate.
The solo will feature as part of a triple bill by RDC during their 2015-16 season.
Research into the global vindication of LGBT people historically and the progressive growth of movements such as the Gay Liberation Front have been key to Rutherford's residency.
"The highlight of my residency has undoubtedly been the humbling Homosexuality_ies exhibition at both the Schwules Museum and the Deutsches Historisches Museum. I am fascinated by LGBT history but equally saddened by the notion that indeed history can and does repeat itself.
I am extremely thankful to the Institut Für Alles Mögliche for the access to time and space in Berlin. Occasionally you need to remove yourself from your comfort zone to understand what you already have and know. This residency has provided a liberating experience which has informed my current practice and ongoing research into Global Equality. As well as creating a new solo entitled #One I have gathered further information for RDC's Never Going Home Again and other future projects.
Thank you to everyone who contributed to the GoFundMe campaign to assist with this residency. Without which this enlightening opportunity would not have been possible!"
The residency has been an invaluable period of personal research and development for Rutherford who has been investigating his post head surgery limitations in relation to movement and moving. Whilst experimenting with his new found movement vocabulary he has also been devising a new solo entitled #One.
#One is a frank and honest autobiographical work which delves into Rutherford's suppressed childhood memories of identifying as gay in a hostile environment. The work highlights the experiences of a young working class male trying to rid the oppressive thoughts of shame whilst existing in the UK under a Conservative government and their infamous Section 28 clause during the 90's.
#One compliments Rutherford's 2015 trio Never Going Home Again by enhancing the personal repercussions of the political and magnifying the intricate link between the two. Never Going Home Again premiered at Artrix Arts Centre to critical acclaim at the beginning of 2015 and was inspired by the introduction of Russia's recent anti-gay laws. A law not that dissimilar to the now defunct Section 28 clause.
Layered with symbolism and influenced by expeditions to historical landmarks, museums and exhibitions during Rutherford's residency in Berlin - #One will enthral and educate.
The solo will feature as part of a triple bill by RDC during their 2015-16 season.
Research into the global vindication of LGBT people historically and the progressive growth of movements such as the Gay Liberation Front have been key to Rutherford's residency.
"The highlight of my residency has undoubtedly been the humbling Homosexuality_ies exhibition at both the Schwules Museum and the Deutsches Historisches Museum. I am fascinated by LGBT history but equally saddened by the notion that indeed history can and does repeat itself.
I am extremely thankful to the Institut Für Alles Mögliche for the access to time and space in Berlin. Occasionally you need to remove yourself from your comfort zone to understand what you already have and know. This residency has provided a liberating experience which has informed my current practice and ongoing research into Global Equality. As well as creating a new solo entitled #One I have gathered further information for RDC's Never Going Home Again and other future projects.
Thank you to everyone who contributed to the GoFundMe campaign to assist with this residency. Without which this enlightening opportunity would not have been possible!"
REAR WINDOW
June 27th 2015 / 18-21h
@ Kanzlei / Schererstr. 9 / Berlin-Wedding
June 27th 2015 / 18-21h
@ Kanzlei / Schererstr. 9 / Berlin-Wedding
REAR WINDOW
by Christian Heilig, Uli Holz, Tim Lehmacher, David McBride and Jenny Vogel
by Christian Heilig, Uli Holz, Tim Lehmacher, David McBride and Jenny Vogel
DOUBLES (#7)
May 27th / 17-22h
@ Zentrale + Niederlassung Berlin + Kanzlei / Schererstraße 11 + 10 + 9 / Berlin-Wedding
May 27th / 17-22h
@ Zentrale + Niederlassung Berlin + Kanzlei / Schererstraße 11 + 10 + 9 / Berlin-Wedding
A collaboration inflatable light installation by
Nicole Anona Banowetz, SKULK and Sourya Sen (Oblique) Open studio by Jacques Laplante. DOUBLES is a bimonthly experiment in which current residents of the INSTITUT FÜR ALLES MÖGLICHE are paired off with residents from GLOGAUAIR, a residency program in Berlin-Kreuzberg. http://www.i-a-m.tk/doubles.html |
OPEN STUDIOS / WEDDING
Apr 28th - 30th 2015 / daily 18 - 22h
@ Zentrale + Niederlassung Berlin + Kanzlei / Schererstraße 11+10+9 / Berlin-Wedding
Apr 28th - 30th 2015 / daily 18 - 22h
@ Zentrale + Niederlassung Berlin + Kanzlei / Schererstraße 11+10+9 / Berlin-Wedding
As a part of their residencies at the Institut für Alles Mögliche the artists Skulk. (Thomas Thorby-Lister), Naman Saraiya, Sourya Sen and Jayson Haebich will be showing the work developed during their time in Berlin.
Open daily on the 28th/29th/30th April from 18.00 - 21.00 Address: Schererstr 9-10, Wedding, 13347 Berlin SKULK - Thomas Thorby-Lister (Sydney, Australia) / www.iamskulk.com Jayson Haebich (Australia/UK) / www.jaysonh.com Sourya Sen / Oblique (Mumbai, India) / www.ayruos.in Naman Saraiya (Mumbai, India) / http://goo.gl/25zuF2 EVENT ON FB: https://www.facebook.com/events/1580249298880922 |
OPEN STUDIOS / WEDDING
Feb 26th 2015 / 19-22h
@ Zentrale + Niederlassung Berlin + Kanzlei / Schererstraße 11 + 10 + 9 / Berlin-Wedding
Feb 26th 2015 / 19-22h
@ Zentrale + Niederlassung Berlin + Kanzlei / Schererstraße 11 + 10 + 9 / Berlin-Wedding
Nicole Anona Banowetz is a American sculptor from Denver who makes sewn inflatable sculptures and delicate assembled forms. Her artwork addresses vulnerability and struggle. She empowers objects through embellishment, building up protective layers, which with time become destructive. Her forms move freely between growth and decay blurring the distinction between decoration and disease. / https://nicolebanowetz.wordpress.com/
Ashley Cook is an artist from Detroit, currently living in Europe. She graduated with a BFA in Fine Arts from College for Creative Studies in 2009, and was the co-founder and co-director of North End Studios in Detroit from 2009-2014. Ashley is hosting a small exhibition as an end to a one month residency at Niederlassung Berlin. / https://www.facebook.com/events/796009283781984/?pnref=story Jayson Haebichs site specific light installations use smoke, projectors and lasers to create mesmerising, immersive pieces. These works use the interplay of light, shadow and smoke to give light the illusion of being solid planes that cut through the room and respond to the physical attributes of the architicture and space in which they reside and challenge peoples perception of of what light is and how it can be used. / www.jaysonh.com |
OPEN STUDIOS
Jan 30th / 7pm
@ Zentrale + Niederlassung Berlin + Kanzlei / Schererstraße 11 + 10 + 9 / Berlin-Wedding
Jan 30th / 7pm
@ Zentrale + Niederlassung Berlin + Kanzlei / Schererstraße 11 + 10 + 9 / Berlin-Wedding
With current residents Nicole Banowetz, Maaike Bakker, Yan Cheng and Jayne Crawshay-Hall.
A Sense of Space-Place
Dec 20th 2014 / 18-20h
@ Kanzlei / Schererstr 9 / Berlin-Wedding
Dec 20th 2014 / 18-20h
@ Kanzlei / Schererstr 9 / Berlin-Wedding
As part of "A Sense of Space - Place" at The Institut für Alles Mögliche on the 20th December, Yan Gi Cheng will present a new series of abstract collage poetry and a video which he made whilst being in residence here in Berlin. These works explore themes of displacement, cultural exile and the notion of belonging for a nomadic existence.
Yan Gi Cheng / http://yangicheng.tumblr.com |
HTSUONIAATPTAIY #1 (KOMPLIZENTREFF)
Dec 20th 2014 / 10-21h
Dec 20th 2014 / 10-21h
Deriving from aspects, witnessed at the first presentation of the MdR collection, last September during the performance Silent discourse by Frank Homeyer at the Alliierten Museum, the event will drab and dash into a discourse of noise. How does the meaning of a normally ephemeral work changes once it becomes sequential? How does the audience relate to a performance with an alternative life cycle?
To archive in sound (with Aleks Slota): owing to the fact that it is able to be both expanded and shaped, sound can be modelled and built up in order to create an archi-form.Freedom (last issue) at the Institut Für Alles Mögliche, used sound to archive the MdR collection. Here, the traditional components of archiving, such as structure and proportion, become the instruments of musical language: the sound, without supports or structural limits, thus becomes the generator of space. The MdR collection is broken down and reassembled in wavelengths. Immaterial by nature, sound transcends borders, it is extended, and, within this process of decomposition and reconstruction, it invites us to ponder the value of the fragment and the fact that it is an autonomous part of everything. Der Komplizentreff ist eine Veranstaltung im Open-Space-Format: Sie können kommen und gehen, wann Sie wollen. Ziel ist es, abends zwischen 20.00 und 21.30 Uhr das im Laufe des Tages gefundene und entwickelte Gesprächsmaterial performativ aufzunehmen. Beim Komplizentreff wird versucht, die aus der Sammlung MdR präsentierten Performances als Brückenschlag zu aktuellen Gesellschaftsthemen zu verstehen. by Joel Verwimp http://sammlungmdr.de/praesentationen/ |
OPEN STUDIOS / WEDDING
Nov 27th 2014 / 7 - 9.30pm
@ Zentrale + Niederlassung Berlin + Kanzlei / Schererstraße 11 + 10 + 9 / Berlin-Wedding
Nov 27th 2014 / 7 - 9.30pm
@ Zentrale + Niederlassung Berlin + Kanzlei / Schererstraße 11 + 10 + 9 / Berlin-Wedding
You are cordially invited to the exhibition of artworks by The Institut für Alles Mögliche Berlin. Doors will be open to the artists in residence in a three space exhibition. Working through video, performance, photography, sculpture, and sound. These collaborative pieces seek to engage in conversations regarding identity relations, collective action and memorialization proposing imagined utopias that challenge normalized ways of being. The colors black and white become metaphors for racial, socio political structures and also allude to esoteric dualities.
ZENTRALE / Alejandro Acierto (USA)
NIEDERLASSUNG BERLIN / Danny Milwain and Oliver Barker (UK)
KANZLEI / Yan Gi Cheng (USA) and Trami Nguyen (F)
Live performance @ Kanzlei / 8.30pm
ZENTRALE / Alejandro Acierto (USA)
NIEDERLASSUNG BERLIN / Danny Milwain and Oliver Barker (UK)
KANZLEI / Yan Gi Cheng (USA) and Trami Nguyen (F)
Live performance @ Kanzlei / 8.30pm
DOUBLES (#5)
Nov 1st 2014 - 6-8pm
@ Zentrale + Niederlassung Berlin + Kanzlei / Schererstraße 11 + 10 + 9 / Berlin-Wedding
Nov 1st 2014 - 6-8pm
@ Zentrale + Niederlassung Berlin + Kanzlei / Schererstraße 11 + 10 + 9 / Berlin-Wedding
Doubles. A collaboration of artists visiting the concept of what a social media or a light or a painting is. Works question the nature of art, the identity of the artist and the difference between meaning, idea and capitalism.
WITH: Anna Ádám - www.annaadam.net Oliver Barker - www.windowtoberlin.wordpress.com Zoe Alexandra Ciupitu - www.joitica.com Colleen Keihm - www.colleenkeihm.com Danny Milwain - www.spotlight.com/interactive/cv/2051-0163-4211 Fernanda Antola Porto - www.portoart.com Jett Strauss - www.jettstrauss.com www.i-a-m.tk/doubles.html |
W. Mark Sutherland (CA)
September 2014
September 2014
DOUBLES (#4)
29.08.2014 / 9 pm
@ Zentrale + Niederlassung Berlin + Kanzlei / Schererstraße 11 + 10 + 9 / BERLIN-Wedding
29.08.2014 / 9 pm
@ Zentrale + Niederlassung Berlin + Kanzlei / Schererstraße 11 + 10 + 9 / BERLIN-Wedding
WE HAVE COME FROM NORTH AMERICA TO TAKE OVER BERLIN, EACH OF US WITH A DIFFERENT WEAPON AT OUR DISPOSAL: DANCE ATTACK, POWER TOOLS, SEXUAL AMBIGUITY, FANCY PANTS, AND COLOR-COORDINATED CONJOINED CYCLING.
COME SHARE THE CLIMAX OF OUR PROCESS, FRIDAY AUGUST 29TH AT 9 PM BY David Albert-Toth, BRENDON BURTON, EMILY GUALTIERI, AMY LANGE. JOY MARIAMA SMITH And WILLIAM WINTER. |